Monthly Archive for August, 2008

When it stops raining, we leave the house

Art

I went to two art exhibitions - the giant Affordable Art Show at the TSB Arena and the much smaller Drawing Parallels exhibition at ROAR! gallery.

The Affordable Art Show was full of the kind of art that people buy to decorate their homes with. Before I went there, I’d been out looking for a new duvet cover, and with duvet designs in mind, I was disturbed to see the same sort of designs showing up on lots of the paintings. But it’s the kind of art that people buy exactly because it matches their duvet.

A very common design would be a crimson-based piece with lots of different elements painted on it in a scrapbook fashion - maybe some pebbles, the ubiquitous Samoan bird motif, an old newspaper clipping (made older looking by a yellow varnish), a black and white photo, and some other coastal-inspired designs, something lacy, and plenty of gold paint.

Why is this so common? Is there some sort of programme on The Living Channel on how to make this?

My favourite piece in the show was a by-the-numbers portrait of Ozzy Osborne called “Prince of Darkness” (not Prince of Light Entertainment?), on sale for a mere $1000. Oh, the dark blue would go so well with the curtains in the guest bedroom.

Over at ROAR!, there was art of a different kind. ROAR! specialises in outsider art, but the Drawing Parallels was a group show open to anyone, really, with an emphasis on drawing.

The walls were covered with pieces from different artists using all sorts of different techniques and media (including my new favourite - felt-tip pens).

When you see a piece where the artist has sketched all the different meals she’s had every day in hospital, you know there’s not a duvet in the world that would match that.

City of ProgressPorirua

I got the train to Porirua. This is the furthest north I’ve been since I moved to Wellington. One day I’ll make it to Levin. One day.

Porirua’s town centre reminds me a bit of Manukau. It’s very automobile-focused, but is trying hard to be pedestrian friendly. But it’s really hard, as a pedestrian, to deal with a town centre that has a great whacking mall in the middle of it. There are just so many dead edges around it - totally designed on a scale that can only be enjoyed in a car.

I passed by the historic McDonald’s - the very first one in New Zealand. I didn’t realise it at the time. If I’d known, I would have gone in and had a cheeseburger and then rolled out my vinyl offcut, played Mirda Rock on my ghettoblaster and done some breakdancing.

There are a couple of streets near the mall that have been turned into a pedestrian mall and covered with canopies, in a sort of “if you can’t beat ‘em, join ‘em move”. The pedestrian mall was practically devoid of pedestrians. Instead it was full of very young teenagers kicking around broken umbrellas.

The train conductor didn’t clip my ticket on the way home, so a return trip might be in order.

Holiday

A few days ago I bought some crazy-cheap flights to New Caledonia in September (or, as they say in New Caledonia, Septembre. It’s just as well they were cheap because New Caledonia isn’t. I’m currently utilising the mighty power of the interwebs to find a hotel in Noumea that a) I can afford, and b) isn’t a complete shithole.

Hotel review websites have been useful, especially reading the reviews from my fellow countrymen and Australian neighbours as they come to grips with la vie francais “We could not get a good flat white coffee anywhere,” moans one tourist. Oh, funny that a French territory would not serve Australasian-style coffee.

And should I feel comforted that “My partner and I (and his stepchildren)” from Hamilton liked a certain hotel? Or should I take that as a sign to stay away? I’m spurred on by the visitor who reckons, “Noumea was a bit feral.” I already knew that, which is one of the reasons I’m going back.

Bonus Poetry

Over at the Wellingtonista, I was inspired to write a sonnet about a recent brawl in Manners Mall.

Hanging with the goths in Manners Mall -
a scuffle in the Loaded clothing shop.
A shoplifter, so 111 was called
but even still the ruckus didn’t stop.
Nunchakus were brandish’d, ninja style.
The shop staff locked themselves out in the back
I hadn’t had some biff now for a while,
so I turned ’round and gave some guy a whack.
A Strathmore chick did kick me in the nuts.
I fell down hard and I began to wail.
My hardcore gangsta plan ran out of luck,
as the po’liceman, he took me off to jail.
I’ve vowed to never go out after dark.
It’s so much safer here in Churton Park.

Put down the semi-colon and let the participle dangle

When I started my old job working in the production of closed captions for the telly, I was fairly confident of my knowledge of the English language. I knew the difference between it’s and its, who’s and whose, and other sorts of things that Lynn Truss wailed about in “Eats, Shoots and Leaves”.

And I knew that my job would involve getting all my work edited and corrected, and that I’d receive a list of all the mistakes I’d made with explanations of what I did wrong. I figured I’d maybe make one or two mistakes per episode, and that would be it.

But then I got back the edit notes to the very first episode of Shortie I’d captioned and… it was three pages long. I felt dumb and illiterate. I was sure someone would soon drag me into their office and tell me it had been a terrible mistake and it was back to the dole for me.

However, that didn’t happen. Instead I got better and better. I learned about comma splices and attributive hyphens and the difference between “my pimp Carlos” and “my pimp, Carlos”. But I still got things wrong; I still made mistakes.

What I came to realise is that English is hard. It’s a bastard mongrel of a language. It has all these bits and pieces from all over the place, so while there are lots of rules that children quickly pick up really quickly, there are all these annoying exceptions that you have to memorise - like that the plural of child is children, not childs.

But then there’s the curious thing about English - you can mess with it and it still makes sense. Having excellent grammar and spelling is just a bit of oil to lubricate the works and make the message flow out clearly. But if you don’t oil it, the message is sill there and it still makes sense… eventually.

As much fun as it is to laugh at the poorly constructed ‘about me’ statements on NZDating.com, if I read that HuGGGy1 says he “enjoy sports like dinner concerts im reliable watching videos”, it might take me a while to work out what he’s trying (oh, he’s trying) to say, but eventually I can get the message.

To be really good at English, you have to be a total nerd. You have to practise, practise and practise and train your brain to do things in a certain way. You know how really good musicians have got that way because they’ve spent hours and hours practising? It’s the same thing with English.

And I’ve come out the other side of it realising that it’s more fun being the guy in a punk band who can’t really play his guitar but is having heaps of fun bashing out some tunes with his friends, rather than the lone guitarist spending hours in his room practising a lightning-fast guitar solo but missing out on life.

After I left captioning and returned to a world where I wasn’t surrounded by professional word nerds, I had to tame myself. I was back in a reality where people don’t always like having their spelling or grammar corrected. I’m sure they fear it makes them seem stupid or illiterate, so I want to say, “No! It’s not you! We’re all like this! Perfect English is really hard!”

Free your semi-colon and your arse will follow.